Graham Bell continues to run amok on The Panel (July 4, 2014)

4 July 2014 at 4:52 pm

Graham Bell continues to run amok on The Panel
Radio NZ National, Tuesday 1 July 2014
Jim Mora, Graham Bell, Denise L’Estrange-Corbet, Zara Potts
PART ONE OF TWO

Incredibly, this show just keeps on getting worse. The talent pool is clearly down to rock bottom: today was the second time in three weeks that the bellyaching old ex-cop Graham Bell was on. That’s too often; he doesn’t have much interesting to say at the best of times, and he’s getting increasingly irrational in his statements and bullying in his behaviour. If you’ve ever wondered what the moral and intellectual tenor of the police after-hours drinking session might be like, tune in when Bell is on. In the enforced absence of strong personalities like Gordon Campbell or Bomber Bradbury, none of the other Panelists dares to contradict him….
http://thestandard.org.nz/open-mike-10062014/#comment-828881

It’s not just worse in terms of quality, but it’s even more callous, more depraved, and more shameless. Today, however, the early part of the pre-show segment (the 15 minutes of light chat from 3:45 p.m., billed by host Jim Mora as “What the WOOOOOORLD’s talking about”) was simply vacuous, as they discoursed in lighthearted fashion about a range of topics….

ZARA POTTS: Now we all know that after-hours access to emails and ever-increasing reach of technology means that we’re all working longer and harder, but China is facing an epidemic of overwork which is leading to employees literally working themselves to death. According to China Radio International, sixteen hundred people in China work themselves to death every day.
JIM MORA: Every DAY?
DENISE L’ESTRANGE-CORBET: Sixteen HUNDRED?
ZARA POTTS: Sixteen hundred. Which equates to more than six hundred thousand people a year.
MORA: I know it’s a big country, but that sounds….
ZARA POTTS: That’s MASSIVE, isn’t it.
MORA: That sounds ridiculous.

The light-heartedness continued for the next few topics. A few minutes later, they focused on fashion, in particular the return of the pocket….

MORA: I like pockets, but there was a trend away from pockets, wasn’t there, and for a while you couldn’t buy a shirt with a pocket in it.
DENISE L’ESTRANGE-CORBET: I LIKE pockets!
MORA: Yep. I like pockets.
DENISE L’ESTRANGE-CORBET: I think they’ve been treated quite badly, pockets.
GRAHAM BELL: Modern shirts, you’ve got nowhere to put your pens.

….[A long pause, then on to the next topic. They maintain the same light-hearted tone, but this time it’s for something altogether more serious. Like fearful, obedient commissars in Maoist China, these people know the correct stance to take towards an officially designated target]….

MORA: Now, Julian Assange on the catwalk.
DENISE L’ESTRANGE-CORBET: [highly amused] Yes!
MORA: How’s he going to manage this?
ZARA POTTS: Well, it hasn’t stopped him, his asylum claim hasn’t stopped him from doing all sorts of things. Even last week he opened rapper MIA’s New York concert with a ten minute Skype chat, so he’s pretty busy.
DENISE L’ESTRANGE-CORBET: I thought he couldn’t leave though.
ZARA POTTS: He does it all on his computer.
DENISE L’ESTRANGE-CORBET: Oh, right.
ZARA POTTS: This is Vivienne Westwood’s son Ben, and as part of London Fashion Week, he is going to take the catwalk to Julian Assange in the Ecadorian embassy.
GRAHAM BELL: [derisive snort] Ha!
DENISE L’ESTRANGE-CORBET: [querulous tone] Howwwww?
GRAHAM BELL: Some people will do ANYTHING to get publicity.
DENISE L’ESTRANGE-CORBET: Ha ha ha ha ha!
ZARA POTTS: Ha ha ha ha ha! Yes, it’s not because he cuts a particularly dashing figure or wears clothes THAT well. The whole thing is a little bit more political than that. Ben Westwood is saying that he wants Julian Assange in his show so that Assange doesn’t slip into obscurity.
MORA: There’s not much danger of that though, is there.
ZARA POTTS: No. He’s wanting to highlight his plight.
DENISE L’ESTRANGE-CORBET: So he’s going to be modeling the clothes.
ZARA POTTS: Yes.
GRAHAM BELL: It’ll be the look for the very OILY character. Hm hm hm hm hm.
DENISE L’ESTRANGE-CORBET: Yeowww!
GRAHAM BELL: Hm hm hm hm hm.
MORA: How do they put a runway into an embassy? It’s basically just a big HOUSE, isn’t it.
ZARA POTTS: Maybe they’ve got a big hallway. The collection has been influenced by Clint Eastwood’s Western films and also Assange’s “combat beret look”.

….[General snickering, snorting and guffawing]….

ZARA POTTS: And there is also a garment with Julian Assange’s image printed on it. He he he he he!
DENISE L’ESTRANGE-CORBET: Ha ha ha ha ha!
GRAHAM BELL: Ho ho ho ho ho! Can’t WAIT!
MORA: Ha ha ha ha ha!
ZARA POTTS: The soundtrack is from The Good, The Bad and The Ugly, so that will be something to, uh, see….

….Mercifully, the time pips sound. Time for the four o’clock news….

END OF PART ONE.

I sent Jim Mora the following message during the show….

What’s so funny about the plight of political dissidents?
Dear Jim,

I was extremely disappointed to hear you and your guests, yet again, making light of the state persecution of Julian Assange. 

If The Panel had been on the air thirty years ago, no doubt you would have been guffawing at the plight of another designated enemy, Nelson Mandela. 

Yours sincerely,

Morrissey Breen
Northcote Point

• Vicky3224.1

  4 July 2014 at 7:19 pm

  “I sent Jim Mora the following message during the show….”

  Was there any response or acknowledgement?
  • Morrissey24.1.1

    4 July 2014 at 8:06 pm

    Was there any response or acknowledgement?

    No there wasn’t. Although, to be fair, I must acknowledge that Jim Mora does reply sometimes, and has even, on a couple of memorable occasions, read my emails out live during the show.
  •